This week I am really pleased to interview Lizzie Nunnery, a
singer/songwriter and playwright. Lizzie’s debut album Company of Ghosts was, for me, one of the best albums of 2010. She
managed to capture slices of life with honesty and a simplicity in her lyrics that
was laced with an underlying humour. It
was a beguiling debut. Her appearance at Purbeck Folk Festival that year was a
high point. She is a fantastic performer, if you get the chance to see her
live, take it, you will not be disappointed.
But not only does Lizzie write excellent songs she is also an
accomplished playwright; Intemperance was given five stars by The Guardian, and
has had plays broadcast by radio 4 and a short film on Channel Four.
She is in the process of releasing her second album, and at the moment,
she is promoting her new single Poverty Knocks – all the proceeds from which go
to the charity for homeless people Crisis (http://www.crisis.org.uk/ ). On the single she is
joined by the Liverpool Socialist Singers, it is a great single and could be
yours for one pound (http://lizzienunnery.co.uk/ ).
Anyway, let’s here from Lizzie.
Where do the ideas
come from?
I'm always wary of
getting too self conscious about that, in case it means the ideas stop. A lot
of my song ideas come from things I've read and seen, or they're exaggerated
versions of things that have happened to me or people close to me. I write a
lot about my family in my songs and lately I'm increasingly inspired by
politics. The best things come when you're not really trying- when I'm out
running or in the shower. The enemy of a good idea is a blank piece of paper.
Who influences you?
If I'm honest it's a
pretty strange list... Neil Young, Patti Smith, Graham Coxon, Jonathan Swift,
Brian Friel, Henrik Ibsen, Leonard Cohen, Adrian Henri, Gill Scott Heron, Joni
Mitchell, Kate Bush, Arthur Miller, John Steinbeck, The National, Wes
Anderson, Sufjan Stevens, Belle and Sebastian, Peggy Seeger....
I don't think you can
necessarily hear any of those people in my music or my plays either- but in the
big swamp of ideas they're all in there somewhere.
Which comes first,
lyrics or music?
Usually a lyric and a
melody line come at once and I work from there but occasionally I'll just have
a load of words and I'll have to hunt out the tune. It always starts with
something I want to say.
How does being a Liverpudlian affect your work?
Liverpool's a great
city to make stuff in. It's busy without being overcrowded, vibrant and
inspiring without being expensive. There's a village-like inclusiveness to the
music scene which isn't overly defined by genre, and lots of talented musicians
and songwriters open to collaborating. I think there's something great about
living somewhere you feel real ownership over- everything becomes so familiar
you can dream on top of it, think around it, rather than being bombarded by new
information all the time. There's plenty of innovative stuff going on
creatively but the attitude of the place is nicely laid back and friendly. It's
a perfect little big city.
As a
playwright is your vision changed by interacting with the actors?
Definitely. I've been
lucky enough to work with some incredible actors and their energy and
understanding can really shift perspective on the words in brilliant ways. When
you're rehearsing a play it's always a balancing act between keeping hold of
the clarity of your intention and knowing when to let it go. On one hand a
writer knows the thing they've written better than anyone, but on the other
hand you can be so close to the script it's like snow blindness. The same goes
for songs within the recording process- sometimes there's nothing better than
an outside eye.
Is there anything you
would have done differently?
I wish I'd started to play the guitar at a younger age. And I
wish I'd stuck with piano lessons when I was seven, even though the teacher
made me cry. I regret that I'm not a more technical musician. Sometimes
instinct is all you need, but sometimes it isn't.
What advice would you
give to someone starting out?
Be creative as much as you like or want, but don't try and live
by being creative unless you love it so much you have no choice- unless it's
bursting out of you and nothing else can make you happy. It's not likely to
make you rich and it's very likely to make you tired, but if you love it, it
will be all you need.
What's in the
pipeline?
Loads. The new download single, Poverty Knocks was released via my website yesterday. It features the Liverpool Socialist
Singers and all profits go to Crisis, the national UK charity for single
homeless people. It's the most directly political song I've ever written but it
feels like the right time for it.
I've also been working on a co-written play called Life for Beginners which is on at
Theatre503 in London throughout September. The other writers are Alice Birch,
Rex Obano, Matt Hartley and Ben Ellis. (http://theatre503.com/whats-on/life-for-beginners).
It's a tangled comedy about birth, love, death and everything in between, and
it's been brilliant working on something cheerful for a change.
With the new album coming out soon I've got lots of great gigs
to look forward to. I'm so excited about being part ofThe Irish Sea Sessions
2012 in Liverpool Philharmonic Hall and Belfast Waterfront Hall in
October. I get to perform as part of a super group of Irish and Liverpool
musicians... can't wait. http://irishseasessions.com/
When is the new album
out?
September 17th! It's called Black Hound Howling and it's a
collaboration with Norwegian producer and multi-instrumentalist, Vidar Norheim.
There's are strings, there's a brass section, there's a choir on one track,
there are quiet little moments between me and a piano... It's much more
ambitious lyrically and sonically than anything I've ever worked on before and
I'm really proud of it. All the info about where to buy it will be up on my
site: www.lizzienunnery.co.uk
If you were a colour
what colour would you be and why?
I love blue because it's a calm colour. I aspire to be blue but
sometime I'm probably more of an angry orange.
Thanks Lizzie.
I am looking forward to seeing her at The Festival of Jim (http://www.dirtyoldtown.moonfruit.com/#/festival-of-jim/4543799029 ) September
1 & 2. I’ll be reviewing her new album when it’s out.
she sounds like a groovy soul.
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