A short, new poem to begin. It concerns the removal of a clock from the side of a building. I was stood there looking at the space where the hands had been and it prompted me to write this.
I also wrote this at the same time. I am not sure which is worth saving.
now the hands have been removed
there
is little indication
that
this wall was once graced by a clock
those
trapeziums of grey plastic
which
once quartered our days
now
look like forgotten decorations
for
an event no one can quite bring to mind
I also wrote this at the same time. I am not sure which is worth saving.
all
the clocks have been removed
and
the marking of time
has
ceased to be a public service
you
can no longer gaze
as the hands creep round the face
because
everyone of your minutes
must
be accounted for
Here is a revision. You can read the original here.
arms
length
he
is a big man
and
fills the opened door
feel
the air
moved
by his mass
the
argumentative lens of the camera
slung
around his neck
points
from his chest
slow
footed across the public space
he
spills on to the sofa
uncomfortable
unless
his hands hold objects
he
raises the camera
begins
to look at the world through the tiny screen
the
stutter of the shutter
bounces
round the room
What has changed? Well there is a line break between the second and third line. This allows the reader the chance to move from looking to feeling. The third from the end line: a comforting distance has been removed.
When discussing the poem with The Secret Poets it was felt that it was a telling rather than showing line. So it came out. A good rule of thumb is show not tell.
Thank you Secrets.
I came across a live video of Natalie Merchant today from 2016. Needless to say she is superb. Enjoy.
Until next time.
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