STOLEN STORY

Sometimes I will hear a story and think that it would make a good poem. There are a number of examples of this process on the blog. Here's a poem that describes that process.

I STOLE YOUR STORY

because it was just there

attractive words hung in the air

on more than one occasion

I have taken a conversation

and cast it in ink on a page

It wrote itself from the first line. Here's a rewrite from a recent post.

A tenor weaves an old tune

breathes new life around the buildings

the wind is set on distort

as if each note had a different weight

and could only be carried so far

If I had a voice

I would sing the words

as I do at home

but in the city

I am silent

It's still not perfect but I thought the last version ended too abruptly.

Here's a very different tune by The Decemberists.

Until next time.

BOUNCING LIGHT

I don't usually sit down and just free write, but the poem below came from an idle half hour of writing with my inner critic in neutral. 

Unexpectedly Peter tickled a trout

a skill he had never disclosed

before that night when the stars

were bouncing their light off the mill pond

He just reached in

then there was this fish

wriggling in his hands

we all laughed

as he returned it to the dark waters

It works I think, a simple straight, forward narrative, something I could have remembered. I don't, though, think it is true. It is a very vague memory. But then again, things don't have to be real to be true, or so it seems with all the made up nonsense circulating about the internet.

Here's the Mountain Goats singing along with the audience.

Until next time.

GHOST FAINT IMAGES

I appear to have spent this afternoon changing the following words into different combinations, ghost faint images into faint ghost images and I have reached the point where I can no longer decide which is the better. The drawer beckons for that particular quandary. I had been reading something about how photographs will fade over the centuries and leave blank shiny paper. Given the present state of dubious narratives, false news and outright lies the poem was an easy write. 

PROPAGANDA

The photos presented problems

having been badly curated

and too quick to fade

to a yellowing cream blankness

We were forced to trace the outlines

of the faint ghost images

with fine graphite sticks

which slipped on the slick surface

As we attempted to harness the past

to justify our political position

Even if I can decide the order of the words: faint; ghost; and images I am unsure that the poem is finished. As I say one for the drawer.

I've been listening to the expanded edition of A Distant Shore by Tracey Thorn, my original album is worn out. Such a classic. 

Until next time.

THE WIND IS SET ON DISTORT

Here is another poem I wrote in Estonia. It's pretty straight forward and self-explanatory.

YOU PLAY THE HAND YOU’RE GIVEN 2

I place my card

on the payment square

it buzzes

a red x flashes

unperturbed

I sit down

It’s not everyday

I fare dodge on a tram

I look about me

no one turns a hair

Seven stops later I get off

Yes I did fare dodge that trip. Then I worked out the location of the card machine. This next poem is also from the same trip.

A tenor weaves an old tune

breathes new life around the buildings

the wind is set on distort

as if each note had a different weight

and could only be carried only so far

If I had a voice

I would sing the words 

Yes I did hear a tenor sax playing in the street. Actually I jotted down the bare bones of the poem while I waited for the tram!

Brooke Sharkey has just released a video of her beautiful new single.

Until next time.