So far on these Tuesday Talent posts the person reviewed or interviewed
is alive and creating as you read about them. Not so this week. I want to
showcase the work of Art Pepper, who between the early 1970’s and the end of
his life in 1982 produced some of the most beautiful and honest music I have
ever heard. That’s a huge claim I can hear you saying, it is. But for me, however, it is
the truth.
I am a jazz fan, have been since the late 1970’s when lots of different
influences came together to point me firstly in the direction of John Coltrane then
ever outwards to the whole glorious jigsaw that is the music we label jazz.
Duke Ellington never liked the term, and Count Basie said in his autobiography,
that there were only two types of music-good and bad. Call it what you will,
jazz will do for today.
Originally I saw the development of jazz, rather like the history I
learned in primary school, all kings and queens, or the way the Bible describes
an individual’s linage – Coleman Hawkins begat Lester Young, Lester Young begat
Charlie Parker, Charlie Parker begat, well everybody. But I digress, the point
of this post is to big up Art Pepper.
Art began playing in the 1940’s, he played with Benny Carter, Stan
Kenton, later in the 1950’s along with Chet Baker and Gerry Mulligan he was
viewed as one of the leading exponents of West Coast Jazz. I find this period
of his playing, while technically excellent , just not to my tastes. He sounds
in hock to Charlie Parker, but all of those 1950’s alto saxophonists do, Bird
(as Parker was known) casts such a huge shadow.
Art had difficulties with substance dependency, and spent much of his
life in goal. You can read about his
life in the autobiography he wrote with his third wife Laurie (Straight Life http://www.amazon.co.uk/Straight-Life-Story-Art-Pepper/dp/1841950645/ref=sr_1_1?s=books&ie=UTF8&qid=1343139636&sr=1-1). It is a harrowing
tale and not for the faint hearted, yet it is a story of triumph.
By the middle 1970’s Art had got himself reasonably clean and he set
about rebuilding his career. His playing from this time on was magnificent, and
was always truthful, no matter how painful, he rose above the chaos of his life
and played like no one else. At the end his life was a triumph, he was the best
alto saxophonist in the world.
You can hear what I mean on a series of recordings that Laurie has made
available on her label Widow’s Taste (http://straightlife.info/ ). I would recommend
the Croydon Concert (http://www.cdbaby.com/cd/artpepper3) a live recording
that showcases Art at his peak. Similarly the Stuttgart Concert (http://www.cdbaby.com/cd/ArtPepper8 ) from 1981is an
amazing record of great beauty, especially the tune he wrote for his daughter Patricia.
There are many great recordings of Art out there, as well as the
excellently recorded live sets mentioned above I would suggest you listen to
Lost Life and one of my favourite lps of all time: The Trip (here is the
title tune on you tube http://www.youtube.com/watch?v=SfhmYICFsDI ).
Art wrote in the liner notes:
I wrote The trip in 1963 when I
was in San Quentin. Whenever the guys would gather like on the weekends, in the
yard, in your cell, or wherever they might be, any time a group of guys would
get together, one guy would invariably say to another guy “Hey Louie, take us
on a trip.”
And so-there’s nothing else to
do, you know, and you’re very lonesome...you don’t have your freedom, you’re
just one of a bunch of men...the things you took for granted as a free
preson...become more and more important, and you begin dreaming about those
things, just the idea of being able to walk and turn right or left, or just to
be able to walk and breathe. Things other people don’t even think about... when
I play, my hands and mouth are not my hands and mouth, they’re nothing but an
extension of me, and the horn is the means instead of the voice. The sound that
comes out of this thing, this piece of metal is just me saying these things and
taking people on a trip...and that’s how I wrote The Trip...Every time I play
it, it’s like taking someone on a trip. And if the rhythm section is really
right and together, the way it is on this record, then it’s like a trip for
everyone, like everyone is on this trip-thinking and looking off into space,
except they’re doing it with sounds.
I am not sure this post does justice to the beauty of Art’s music. Just go
and check it out for yourself, who knows, it might take you on a trip. It has
me for the past thirty odd years.
I will have to listen to some of his music!
ReplyDeleteIt's worth listening to, I'd recommend The Trip for starters.
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ReplyDeleteI just started reading Straight Life myself. It's a great book, I'm glad I'm old enough not to be influenced by his "lifestyle" as I was to a degree by Bird's.
ReplyDeleteDoes anyone remember what Art said about Coltrane's music?
I cannot remember what Art said about Coltrane save that he was very influenced by him and critics say The Trip is very Coltrane like.
ReplyDelete