This week’s Tuesday Talent is a Somerset
Poet who I have longed admired. A founder member of The Fire River Poets. His first
book The Talking Horses of Dreams
(Iron Press) was a collection I returned to again and again, it repaid
repeating readings, yielding its treasures slowly, dripping beauty like honey.
When I first joined Fire River Tony was not
only very welcoming, he was also supportive and skilled at offering both
perceptive and constructive feedback.
Enough of my prattle, let’s hear the man
himself.
How
did you begin to write?
I was very lucky to have an inspirational
English master at school. In his hands,
O level EngLit was not just a subject on the syllabus: it was a door opening on
a wonderland of words. I thought: here,
if anywhere, is where I belong. What
keeps me going is the unparalleled satisfaction of having created something,
coupled with a compulsion to tell the truth of things as they appear in the
light of the imagination.
Where
do you get your ideas from?
They come in their own time and from no
particular direction. Many of my poems
celebrate the natural world, but I wouldn’t want to be classed as a ‘nature
poet’.
Is
form important to you?
Vitally important. When you write a poem you are doing two
things: you are saying something but
you are also making something. Form need not mean regularity. Good free verse (as opposed to chopped-up
prose) may not be regular but there is a harmonious relationship between the
parts, all of which work together to reinforce the poem’s meaning.
Which
poets have influenced you and why?
I feel that every poem I have ever read and
enjoyed and that made me think, ‘I wish I’d written that’, has probably
influenced me, but if I had to name a few names, I might say A.E. Housman, Ted
Hughes, Robert Graves and two Thomases (Dylan and R.S.).
Any
tips for beginners?
Read lots of good poetry by lots of
different poets (anthologies are a good place to start): follow your nose and
don’t bother with stuff that leaves you cold.
Don’t worry about being original or ‘finding your own voice’ (it will
emerge in due course): just concentrate on finding the best words and putting
them in the best order.
How
did you get published?
The only way I know for people like me, who
aren’t part of the poetry establishment: I kept sending poems to publishers
until one day I struck lucky, i.e. the right poems arrived on the right desk at
the right time (it helps if you’ve won a competition or so or have been
published in magazines.)
Whats
in the pipeline?
What pipeline? Poems, or rather the ideas for poems, tend to
fall on me, infrequently, out of the blue (or more often grey) and initiate a
spell of compulsive hard labour, though I do have a folder of ‘work in
progress’ that I occasionally open, stare at for half an hour and close.
If
you could do it all again what would you do?
The same but better.
If
you were a poem, what would you be?
A discarded early draft of The Wasteland.
What
is the name of your latest poetry collection?
The
Shell Gatherer (Oversteps Books). Copies can be obtained from me for £9.00 each
including postage (email me at sanchobramble@hotmail.com
)
Excellent interview. Thanks for the tips--and I really liked the answer about form.
ReplyDeleteYes, I agree an inspiring interviewee. I liked Tony's thoughts on form. I think the more you can understand the different forms the more options you have when you are developing an idea.
DeletePaul, thanks for the interview. You've beaten my inertia on a similar project - & I too would have sought to feature Tony Watts. So, why do what someone has done very well already? I've advertised your blog with a link in the Guest Interview section of my www.poemsplease.me - Tony F
ReplyDeleteThank you. I appreciate the link, I shall check out your website.
DeletePS Tony Watts will judge a current Fire River Poets competition - details at http://www.fireriverpoets.org.uk/page29.html - closing date at end of Oct 2012
ReplyDeleteI shall highlight this in a post. Thanks.
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