I'm not sure this first poem is complete. I suspect it hurtles too quickly towards its conclusion and would benefit with another example in the middle. Things feel better in threes, however I don't have one at the moment. So you will have to file this one under work in progress.
I appear to be writing a series of interconnected poems, or one long one, it is too early to say, about a coup. You can read the first part here, it concerned a woman being arrested at the outbreak of the coup and subsequently released.
This second section concerns her return to her flat.
Here is Laura Marling. Her last LP is proving to be a popular one in our house
Until next time.
They used to say
you
can take the boy from Widnes
but
you can’t take Widnes from the boy.
I
have to agree,
my
voice carries Widnes,
all
those long vowels pin me to a place and time.
Widnes
casts a long shadow,
it
settled on my father’s lungs,
caused
him to fight for every breath,
until
it just wasn’t worth it anymore.
I could not locate a suitable photograph of Widnes so you will have to make do with a winter shot of Hestercombe Gardens.I appear to be writing a series of interconnected poems, or one long one, it is too early to say, about a coup. You can read the first part here, it concerned a woman being arrested at the outbreak of the coup and subsequently released.
This second section concerns her return to her flat.
It was if he had never been there
and
the obligatory search,
that
now follows any arrest
has
left your rooms in ruin.
The
hurried, half hearted destruction
of
bed, clothing and books
is
matched by the ransacked kitchenette.
Sunlight
shafts through torn blinds,
despair
is a fast filling space inside
then
you remember the cell, stop yourself.
It
is too early for questions
they
will come later.
I am not sure where I am going with this work. I am writing it in random sections. Watch this space.Here is Laura Marling. Her last LP is proving to be a popular one in our house
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