You could argue all
poetry is prompted/provoked by something else, by something beyond the poem.
Everything must have a stimulus, the grain of grit that irritates until the
pearl encloses it. Well, everything since the Big Bang, who can tell what
prompted that?
So some poems and
their origins. Read and tell what made you write.
This first one I
started last year when I was driving to the Fishguard Festival. When my
children were young we holidayed around South Wales a number of times. Pembrokeshire
is one of the most beautiful areas of this island.
I had not been back
around there since my first wife died and as I drove memories came forward as I
recognised the roads. I reflected on how different my life is now. I can
recognise who I was then but I wondered if that past me could have comprehended
what he would become?
You entered the car just after
Haverfordwest, the signage evoking memories, now your ghost is with me. The
further I travel forward the more the past superimposes itself on the
landscape. What would that past self make of me? The kids are grown, I am a
poet, driving to a gig, in love with another woman. You are all around me.
possibly the wrong season for the haiku |
Haiku for winter sun
Now sun splashed red brick
The branches and birds casting
Flickering shadows
the
church near my house has put up wooden doors to enclose the dry areas where
people had been sleeping
it is true the doors things of beauty the
carpenters joy in his work echoes the skills of the church builders
i know i would think differently
if i needed a dry place to sleep
this is not the first time when i was a
social worker at county hall they did the same thing to a space by the hot air
vents
I expect there is a whole process in both cases that I know
nothing about. It does not matter this is my reaction to the parts of the
stories I do know.
This last poem’s origin was a photograph of a robin blue bowl,
hand crafted with an irregular rim, that was white as bone on the inside. We
were given the task of describing it in a workshop sometime ago and this was my
response.
THE ROC’S EGG
Sinbad did not lie, he told his truth honestly,
Rode that big bird across the ocean,
Carried far beyond reality, into fantasy,
A story to beguile that murdering Persian.
The egg is real; I see its shell,
Blue, speckled black, bone white inside,
How large it is I cannot tell,
The photograph says much, but hides
Dimensions from my questing gaze.
I sense that this is the point in time
To grasp the thread, to leave the maze,
To embrace the world as if it were mine.
It always is what we hope it will be
Holy, beautiful and wrapped with mystery
What do you think of it? Could you see the bowl? I think we are
blessed if we can see the mystery, for that surely is the beauty of life.
Oooh I like your poems. Anyone who can write Haikus has my respect. I always end up with 1 too many syllables. (story of my life..)
ReplyDeleteThanks. I think Haikus require practice, and sometimes they just don't fit.
DeleteI love your poems, and I agree, mystery in every day things (and exceptional things) makes life so much more worth it.
ReplyDeleteThanks Bethany. Mystery and wonder certainly add to the quality of life.
DeleteBeautiful description of your interpretation of the bowl.
ReplyDeleteThanks Golden Eagle. It's a pity I couldn't find the actual photo.
Delete