Repetition
in poetry can work, the oral tradition effectively uses repetition. It can,
however, as easily limit a poem, keep it earthbound when you want it to soar.
Here
is an example of what I mean. It’s an autobiographical poem. The events really
happened, many years ago. In fact the poem was written in the 1980’s soon
after the event it describes.
When
I looked at it again recently, I was struck by the use of the word machine, it
appears again and again throughout the poem. I did not like it. I felt the
repetition limited the poem.
I
had also been troubled by the last line. I had worried at it for many years.
Never quite achieving what I wanted to say.
I
also suppose it is of note because it’s the first poem I wrote about my father.
There have been many more since.
I’d
be interested to know what you make of it.
All that is
recognisable are the reels.
These still
spin determining loss,
Sometime
fortune, mostly loss.
My father
stands before the machine
Engrossed in
the wheels motion,
As he did
when I was little.
Then the
device resembled a man,
Mechanism set
into his chest,
The rhythm of
loss named him;
A “one armed
bandit.” Robbing all.
Though I
could not reach the handle,
I understood
those certainties.
I cannot
follow this electronic sequence,
The room is hot and smoky,
The men drink pints,
Share a
formalism of dress.
I do not know
the conventions,
Am baffled by
more than this bandit.
My uncle will
be buried tomorrow,
I want to
talk with my father,
Who is one
with this distraction.
There is more
than this machine between us
I suppose
I should offer a word of explanation. A one armed bandit is an old name for a
slot machine. They really did look like bandits from the Wild West when I was a
child. My father played them obsessively. As they increased in complexity they became increasingly incomprehensible to me but it never phased my father.
You can see
them. Lonely men,
Standing
solitary on motorway bridges,
Fishing the
traffic with their eyes.
Estimating
tonnage, make of vehicle,
Wistfully
dreaming destinations.
I hear they
are there at night,
Hypnotised by
the dazzle
Of people
going places.
late 80’s
Do
you ever notice the people that stand on the bridges over motorways and just
watch the traffic? I have to confess that it’s not my idea of a good time, but I
have always wondered why they do it.
Here
is another old poem. I leave you to make of it what you will.
CRETAN HOLIDAY POEM
we cross the
sea
sunrise on an
aging shore
your ghosts
follow
supplant the
local images
your words
empower
grant them
immediacy
they wander
through your dreams
you will not
sleep again this night
it is the
heat
it is the
still air
they circle
you
in the air
that does not move
“let us
occupy your waking thoughts
let us live
inside your head”
I am awake
lie silent
sleep is gone
you lost in
the darkness in your head
eyes open
I stare into
the night
and dawn is a
long time coming
Have
a good week.
Great poems, Paul! Have a wonderful weekend, my friend!
ReplyDeleteInteresting poems!
ReplyDeleteI can sort of understand watching traffic. Not for more than, say, 10 minutes at a time--but there's something intriguing about the flow of vehicles, particularly if the viewpoint is from above.
Father poem is powerful ... and to be honest I don't think you need the last line at all. all you want to say is in the previous one. Just a view.
ReplyDeleteThe thing is fathers are powerful figures and those of us with more creative sensibilities than they (I have several 'father poems too!) probably more easily analyse the impacts they have left on our lives by the things they have (and probably more importantly from our place) not done.
The motorway Bridge poem reminded me of the Paul Simon song: old men...sat on a park bench like bookends... I wondered why people did it, then, years ago, I found myself on a bridge overlooking the MI watching the late Princess Diana's funeral cortege pass by. It's the combination of static height, and moving speed - exciting and disorieientating at the same time.
ReplyDelete