I am not going to say anything about the poem below. I think it explains itself.
We
are at table and there are statistics.
Not
the obvious count of knife and fork and spoon,
or
the percentages of dishes with no meat.
One
of our number informs us:
the
average academic paper is read by ten people.
I
should have been embarrassed,
but
I crowed how many visits my blog receives.
These
are the overtures, mere distractions,
the
real equation leaves me speechless.
First
let me give you the context,
my
friend has worked in China for the past year,
this
meal is a celebration of his return,
and
he interjects, cuts across our cosy conversation.
Mao,
he was told had been,
seventy
percent right, thirty percent wrong.
It
is better to admit your hero has feet of clay,
to
divert attention from famine,
the
social dislocation of Mao's final years,
and
all those ghosts.
The
ones that now stand round this table,
So
many in fact that they form an orderly queue
down
Catherine Hill and beyond Frome to the sea.
We
briefly discuss these percentages,
then
the talk returns to
the
food we are enjoying,
the
band we going to watch,
the
minutia of our oh so comfortable lives.
We
rise to leave and find we must
shoulder
our way through the ghosts,
though
they do not follow,
I
feel their eyes on my back.
I think it is nearly there. I am not sure about the last stanza and would welcome your thoughts. It is one of those poems that wear their genesis on their sleeve so to speak.Here's the new Mountain Goats single Blood Capsules.
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